Tuesday, February 21, 2006

I Second That Emotion

(posted by Dan)

I just wanted to second Irrelephant's "Bravo" with one of my own. It's really a wonderful essay. And "Close," for all of our thousands (millions?) of readers who might be interested, is an excellent story. I don't think either of them is perfectly polished (though "Close" is closer), but then again neither is anything I've ever written, and they have a charge to them--in that they're actually compelling to read--that's pretty rare. There are a lot of writers out there who can write finely polished prose, but not so many who have anything interesting to say with their elegant sentences. You can't really teach that, you have to live it.

I also have many interesting things to say, naturally, and I apologize for not saying so many of them in the past two weeks. I'll try to get back into form.

Tuesday, February 07, 2006

I can use ellipses to make funnies

(posted by Dan)

I was browsing through my virtual desktop today and I happened upon an image that I created, years ago, for a never-lived website—or "sitecom" as we called it—that I began to create with some friends and acquaintances during the most frenzied months of the dot-com boom. I’m pasting it here as evidence that I was once able to do some mildly clever things in the realm of graphic design, and because it has to do with masculinity in an extremely superficial sense (in that the book it uses to make its jokes is on the subject), and because this blog is the closest I’ll ever come to having a legitimate excuse to show it to someone. It's now or never, and I choose now.


Thursday, February 02, 2006

Jamie's too modest

(posted by Dan)

Just so's you all know, that image from Jamie's recent post is from Flesh for Fantasy, an anthology in which he not only published an essay (guess which one) but was commended for doing so by Publisher's Weekly. The PW review said:
The editors of this anthology—all academics who have worked as exotic dancers— start out slowly and save their best for last. In other words, readers should skip the long-winded introduction and head straight for the entertaining account of how Miss Mary Ann and her co-workers at San Francisco's Lusty Lady formed the Exotic Dancer's Alliance: the descriptions of the lawyers hired by the club's management in an attempt to bust the union are priceless. Jamie Berger's description of his peep-show going (and the guilt induced by his politically correct upbringing) is also a don't-miss read in the section called "Flirtation," which explores club life from the patron's perspective. Respect for dancers and the customers who understand what they are—and aren't—buying when they enter a club or peep show booth is evident throughout.

The Humming Is Real

(posted by Dan)

I may respond, in another post, to other aspects of Jamie's latest installment of Peep Show, but first I’d like to assert the plausibility of the idea that there was, in fact, a genuine connection of sorts between Jamie and Sass, and that the humming she did for him (humming is meant literally here; read the post) was something special she did for him, and it was done as a genuine expression, at the very least, of compassion or kindness or camaraderie.

I’m making a point of this because I’ve had the argument, many times with many different people, about whether there can exist between a sex worker and her* client any kind of genuine affection, and I’ve always insisted that there can be. That’s not to say that the lust is reciprocated (though on occasion I imagine it is), or that the affection that the ladies have is anywhere near as deep or precious as that experienced by their devoted clients, but rather that just because what’s happening is, at its most elemental level, an economic transaction doesn’t mean it’s only an economic transaction.

To offer an imperfect analogy, the waitress at the Waffle House is flirty or friendly with her patrons primarily because it’s her job to be like that, but secondarily because she derives satisfaction from friendly/flirty interaction with other people in the world. We’re social beings, and we like to be liked and to like in return. I don’t fool myself into thinking that what’s going on at a peep show, or in a strip club, is as uncomplicated as what’s happening at the Waffle House, or that the feelings of the sex workers for their clients don’t include, at various times, hatred, contempt, disgust, boredom, etc. But it must be true that some of the time, some of the women have warm feelings for their client. Wouldn’t it be strange if it were otherwise?

I don’t know why the point is so important to me, but maybe it’s just because the notion that such affection is impossible is to me a particularly egregious example of the way that doctrinaire ideology can interfere with our ability to see the world clearly. To say that peep shows, for instance, involve exploitation, is inarguably true. But to stop any discussion of the interraction between peep show patron and worker right there (men who go to peep shows are bad; women who strip are exploited; QED) is to avoid probing, as it were, the moral/psychological questions that such interractions raise.

I also suspect that my disproportionately intense feelings on the subject point to something unresolved going on in my head (or in my loins). It’s nothing so direct as in Jamie’s case. He goes to peep shows, and so it’s important to him, for obvious reasons, to understand why that is, and to look for some affirmation of, or absolution for, his experience, and by extension of his objectifying of women. As he writes:
It allows me to feel that, as improbable as this may sound, once in the bluest of blue moons a dancer may actually, conceivably enjoy our wordless interaction. Part of me wants to believe that if I can make even the tiniest connection with a woman in this most wretchedly sexist and commodified environment, I can somehow be forgiven for my eternal objectifying and wanton lust.

But I’m not a regular visitor to peep shows, or strip clubs, or prostitutes. My problem, I think, has less to do with shame about my sexual desire and the things I’ve done or places to which I’ve gone to gratify it than it does with my inability to embrace or experience that desire in its rawest form.

That inability, of course, probably has everything to do with the feeling that it’s wrong to desire women in such an animal, objectifying way, but I experience the shame less as a concrete psychological fact—a burden I need to carry around as a result of the dirty, naughty things I’ve done—than as an elusive but still impenetrable barrier to the connection I’d like to have to my desire.** I don’t need to expiate my sins of lust, I think, so much as I need to liberate myself to lust purely in the first place (and then, maybe, I can worry about expiation). So maybe I’m having the argument about sex workers and their clients, to get back to the main point, because I’m trying to convince myself that it’s okay to desire women in a purely sexual way because they wouldn’t hate me for doing so.

I don’t entirely know if that makes sense, but it’s a start, and this is a blog, so that’s okay.

* Yes, I know that there are male sex workers as well, and if any of you are out there you should feel free to enter the conversation, and to be offended that by writing about sex workers as if they’re naturally women I’m failing to dignify your personhood, but for now it’s easier for me to write as if sex workers are women and their clients are men.

** In case you were wondering, I actually have a very distinct visual image of this troubled relationship between me and my desire. My desire is a like a ball of electricity hovering somewhere in the core of me, and what I’m trying, but failing to do, is tap into that well of vitality, and create a network of conduits of lighting that course out from the ball of desire to all the points of my body. I have a feeling that that image (or metaphor, or whatever it is) bears a similarity to the Indian idea of chakras, but I’m sure I got it from all the fantasy novels I’ve read in which the hero has some magical potential but is unable, until some traumatic, catalytic event, to tap into it. The fantasy novels, however, may have gotten it from the Indians.